Classical Music In Ghana
Art or classical music in Ghana can be categorized into two main divisions: choral, the more popular form; and orchestral. The relatively higher popularity of choral art music in Ghana is widely attributed to the introduction of western hymnody by Christian missions in the 19th century and beyond. The missionaries’ indiscriminate suppression of indigenous musical forms in favour of their hymns is partly responsible for the dominance of Western choral musical styles in Ghana. Key Figures What is currently labeled as Ghanaian art music is generally credited to Ephraim Amu’s pioneering indigenization work dating back to the 1920s (Dor 2005; Agawu; 1994; Nketia 2004). Ephraim Amu revolutionized choral features distinct from its precursor, Western hymns and anthems. Amu’s pioneering emphasis on the adoption of the simple duple time, often with triplets, for all his African works—his emphasis on speech rhythm; on the relative lengths of words and syllables as key determinants for the